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hi, hi.
this issue is about a plové girl.
or maybe a few of them.
some mornings she's a friend. some mornings she's me, or someone i'd like to be. some mornings she's a girl who sent us a poem.
she spends too much time choosing ribbons and not enough time answering texts.
she has favourite cafés, favourite movies, favourite corners of the world.
here's what i can tell you. she moves through the world a little more slowly. she pays attention. she finds beauty where other people forget to look.
the rest, you'll find in the pages.
her closet feels a little like opening a storybook.
soft pinks. faded blues. creams that look different depending on the light. ribbons hanging from hangers. cardigans draped over dresses. pieces collected slowly over time, because she loved them, not because she needed them.
nothing is identical, but somehow everything belongs together.
that's her favourite part.
the skirt still works with the sweater she bought three summers ago. the socks match the ribbon in her hair. the active set she wore to pilates in the morning still makes sense at a café in the afternoon.
things don't have to match perfectly. they just have to get along.
because her mother told her something once, years ago.
you can't control how you feel. but you can control what you wear. so dress well.
she never forgot it.
she gets dressed every morning on purpose, for nobody. because you only get today once.
and on the mornings she wakes up a little sad, she doesn't have to search for herself. she's already there, hanging in her closet.
“you can't control how you feel. but you can control what you wear.”
seven small days. all hers.
monday. she wakes up slowly. coffee in the sunlight. pilates at 10. the rest of the day belongs to her.
tuesday. the quiet neighborhood café where the owner knows her order. she writes for a couple hours, reads for another.
wednesday. she was supposed to go to yoga. she leaves the house late. misses the bus. forgets why she was annoyed by lunchtime. she still buys flowers from the corner bodega on the way home.
thursday. lunch alone. she calls them dates with herself, because they are. a glass of something. a book. nothing scheduled after.
friday. her friend's apartment, late. open wine. one of them gets a little soft. nobody minds.
saturday. brunch with the same two friends, always. they don't check their phones. it lasts hours.
sunday. slow. a film at night. usually amélie, again. she's seen it more times than she can remember.
“she calls them dates with herself.”
the small things she carries.
a thin notebook for poems she'll never publish. they're small, three lines, four. sometimes less. she writes them on the train, on receipts, on the backs of postcards.
a lipgloss that's basically jewelry.
a hair ribbon, the color of her socks today.
her plové mat in a yoga strap.
sunglasses, even on the cloudy days.
a pressed flower from a saturday she doesn't talk about.
and once, for a whole week last spring, she carried a tiny photograph of a ladybug she'd taken outside the café. she'd liked the way the sun had lit its shell. she didn't know who to show. she carried it anyway.
“she has never been very good at leaving beautiful things behind.”
there is a field somewhere
where all the girls i used to be
are waiting for me
one keeps a secret in her pocket
one is wearing flowers in her hair
one has forgotten her shoes somewhere in the clover
they do not ask where i've been
they only make room
when the wind moves through them
it sounds like my name
p.s. this is one of hers. i found it folded inside a cookbook she'd lent me. she'd probably kill me for printing it. i'm putting it here anyway.
p.s. she's leaving a folded poem in a library book this week. consider doing the same, or send one to us, on the back of whatever. anything that doesn't fit in an email lasts longer than one. ❀
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